4 Ergebnisse.

Excerpt from The University of North Carolina Record: June, 1911The other side of the picture was presented as exemplified by the good sowing of Wesley, from whose life of right seeding, good 111 an Increasing, enlarging stream had ¿owed. Your hands are full of grain today, he concluded. In God's name and for God's sake throw away the bad, sow only the good, for 'what soever a man soweth, that shall he also reap.'About the PublisherForgotten B...

Excerpt from The University of North Carolina Record: June, 1911 The other side of the picture was presented as exemplified by the good sowing of Wesley, from whose life of right seeding, good 111 an Increasing, enlarging stream had ¿owed. Your hands are full of grain today, he concluded. In God's name and for God's sake throw away the bad, sow only the good, for 'what soever a man soweth, that shall he also reap.' About the Publisher Forgo...

Cleopatra. Sexy, sultry, political, and racially ambiguous. Moving fluidly from Shakespeare's England to contemporary LA, Francesca Royster looks at the performance of race and sexuality in a wide range of portrayals of that icon of dangerous female sexuality, Cleopatra. Royster begins with Shakespeare's original appropriation of Plutarch, and then moves on to analyze performances of the Cleopatra icon by Josephine Baker, Elizabeth Taylor, Pam...

Cleopatra. Sexy, sultry, political, and racially ambiguous. Moving fluidly from Shakespeare's England to contemporary LA, Francesca Royster looks at the performance of race and sexuality in a wide range of portrayals of that icon of dangerous female sexuality, Cleopatra. Royster begins with Shakespeare's original appropriation of Plutarch, and then moves on to analyze performances of the Cleopatra icon by Josephine Baker, Elizabeth Taylor, Pam...